 |
|
Quatrefoil, 30 tablets. I used this
pattern for a simple belt in silver and black.
|
|
 |


|
Knotwork. A number of variations on a
basic knotwork pattern for 35 cards.
|
|
 |

|
More Knotwork. A couple of variations
on a 26-card knotwork pattern.
|
|
 |

|
And more. A range of patterns in different
widths (from 38 to 78 cards wide), all using a basic line width of 5 warp
threads.
|
|
 |
|
Textura Quadrata (36 cards). I kept the
ascenders quite short because I did not want to take up too much space
with the letters.
|
|
 |
|
Textura Quadrata (48 cards). Similar to
the script above, but I lengthened the ascenders and descenders to more
traditional proportions.
|
|
 |
|
Textura Quadrata (60 cards). This is a
large variation where all letters are the same height. A medieval example
of this kind of compression can be found in Nancy Spies' Ecclesiastical
Pomp and Aristocratic Circumstance.
|
|
 |

|
Textura Quadrata (60 cards). The script
above has a 1-in-4 tie-down pattern; this one is a classier alternative with
cross-like tie-downs.
|
|
 |
|
A proportional comparison of the sizes of the different textura scripts.
|
|
 |

|
Lions, based on motifs from the 11th/
12th century chasuble of St Wolfgang.
|
|
 |

|
A variety of simple heraldic charges within a frame. I used these
patterns in my examination of medieval brocade wefts.
|
|
 |

|
A 40-tablet wide castle motif.
|
|
 |

|
Anglo-Saxon style zoomorphic dragon motifs, using 36 and 46 tablets.
|
|